Nathan Taylor is a knitting designer who specialises in fun socks and beautiful double-knitting colourwork designs. As double-knitting becomes a popular trend, his geometric and colourful designs are attracting attention, so we asked him about the technique and his knitting passions
When did you start knitting?
When I was about eight years old, my sister was given a kit to knit a Pink Panther. I always wanted to do everything that my sister did, so I wanted to knit one too.Sadly, the kit only had enough materials for one toy, but my mum dredged up some really big needles, and some really fine dark green yarn. Naturally, I knitted a bit of a bag of holes and my Pink Panther looked a bit more like green string vest, but I was really proud of him and still have him to this day.
I didn’t keep up with knitting though, and it wasn’t until about five years ago that two friends of mine tried to get me to knit. I resisted their endeavours for about six months, telling them that I couldn’t think of anything that I could make that I would want to wear. Finally, they suggested socks.
The really important point about this story is that they taught me how to knit a sock - the construction of what makes a sock, rather than just putting a pattern in front of me. This was crucial, because I had a proper understanding of what I was doing and that has allowed me to become a designer. I started designing my own things straight away. I couldn’t seem to find patterns that were exactly what I was looking for so I started making up my own. I’ve never looked back.
People nowadays ask me why I knit. I reply: because I don’t know how to stop.
You are known as the sockmatician which suggests socks were your first knitting love. So how did you discover double-knitting
I stuck with just socks for a while, and all my early designs were for socks. I’ve branched out quite a lot since then.
As for the double-knitting (the hyphen is used to differentiate the technique from the yarn weight), I was at a knitting afternoon at a local yarn shop and a lady came in with a cardigan that she had knitted. It was all double-knitting, including reversible seams, and it was magnificent.
I had never seen anything like it before and I was instantly besotted with it. I went home and looked up as much as I could online. I watched countless YouTube videos, and read hundreds of articles before ever putting yarn on the needle.
My very first double-knitting project was the scarf that became my Perplexus pattern (Nathan is wearing this above). It is about a foot wide, and about seven feet long, and took me four months to complete. I loved every single stitch, and of everything I have ever knitted, it’s still the one I go to most often.
What is the attraction of designing for double-knitting
For me, it’s that there are so few limitations to the kinds of patterns that you can produce. In other types of colourwork, such as Fair Isle, you can really only have about five stitches on one colour before you have to change or start catchng the floats but that can show through.
With double-knitting, you can have as many stitches as you like of one colour, without any problems at all. The other main feature of the technique is that there is no “wrong” side. Both sides are equally beautiful – the colours on the two sides are reversed, so you get two projects in one. This is perfect for scarves and shawls and for hats, as you can turn them inside out and have a completely different mood.
Other plusses are that it is much more forgiving in terms of tension than stranded knitting, with no danger of puckering, and it lies perfectly flat too - I never block any of my double-knitting. Being double the thickness of single-face knitting, it’s also twice as warm, so it’s wonderful for winter accessories. I could go on and on for hours, espousing the benefits, as people who have taken my classes on the subject will attest...
Nathan’s popular W12 8QT scarf
What is your favourite design so far?
That’s a really hard one. If I have to narrow it down, it would either be my Sanquhar Scarf, based on the centuries-old geometric black and white patterns from the town of Sanquhar in Scotland or it would be the 42nd and Lexington shawl I designed for Vogue Knitting Magazine (Fall 2015). The shawl draws inspiration from New York City’s Chrysler Building. I was incredibly proud to have been asked to contribute to the magazine’s double-knitting feature, and I tried to go all out to come up with something really special.
Double-knitting looks quite complicated when you haven't tried it for yourself, what advice would you offer to someone trying it out for the first time?
A lot of people think that double-knitting will be beyond their capabilities. I think it is a victim of its own success because the results can be so amazing, people get frightened and think that they couldn’t possibly do anything that wonderful.
My own personal mantra holds true at this point: no matter how complicated the finished object, just like with any other type of knitting, double-knitting is only One Stitch at a Time (OSAAT). Incidentally, in Finnish, the word “osaat” means “you can” or “you know how” which could not be more perfect.
For anyone wanting to have a go, I’d suggest looking at all the online resources available - I have lots of video tutorials on my YouTube channel, but there are many more out there too. Really though, I’d say jump in and give it a go. What’s the worst that can happen? It’s only knitting, and the sun will still come up in the morning.
Start with something small, like a coaster, a potholder or just a little swatch, so that it isn’t overwhelming, and never forget, with double-knitting, there’s are twice as many stitches, so if you like knitting, and let’s face it, that’s why we’re all here, it’s double the fun.
Start small with a something like a phone cosy